After seeing this video put out by Guild, I decided that I had to have one of these Newark Street X-175B marvels. I finally got my hands on one for a great price and was thrilled when I played it. Let’s find out why this guitar excites me. (more…)
Category: Consumerism
1997 Guild Bluesbird Guitar
The Guild bluesbird of this era is quite clearly inspired by the Gibson Les Paul, but there are some important differences. First, and perhaps most important, the Bluesbird is chambered which makes it lighter than the average Les Paul while also making it more resonant with a more open sound. The shape is a bit different, and Les Paul purists will likely rebel against that, but for me, it’s every bit the guitar that even an Historic Les Paul is. Let’s find out why, and talk about some of the differences between the Guild Bluesbird and a Gibson Les Paul. (more…)
Guild 2015 Newark Street S-100 Guitar
I bought this guitar used on LTG along with a Newark Street (NS) X-175B, which I will review in another post. I’ve discovered that these import Guilds absolutely crush the competition in the same price range. Let’s see why. (more…)
RigExpert AA-230 Zoom Antenna Analyzer Review
The AA-230 Zoom seems to be an odd solution on the surface. The AA-170 covers almost the same range and unless you really need to cover 1.23cm band, why not spend just a little bit more for the fabulous AA-600? Sure the AA-230 Zoom has a great screen and some sort of “zoom” functionality, but the AA-170 is less than half the price, so why not get that one instead? I asked myself those same questions and did some digging. Let’s see what led me to purchasing the AA-230 Zoom over those other choices by comparing the key specs that influenced my decision. (more…)
Change over Dollars
For some reason, whenever I buy something, my change is now handed to me bills-first, followed by the receipt, with the change placed carefully on top of the pile. With the change delivered to me in this fashion, I am then dismissed and expected to get out of the way for the next customer who is no doubt eager to pay for her venti frappa-cappa-chupacabra so she too can be on her way. The problem is that I can’t, because I am now immobilized with indecision as to how to deal with the pile of financial paperwork in my hand. (more…)
One Man’s Quest for Gas Cans that Don’t Suck
From what I can tell, this is pretty much an American problem. As of January of 2009, all new portable fuel containers in the US must meet new Mobile Source Air Toxic regulations based on the California Air Resources Board’s (CARB) regulations, and they must meet the requirements of the Children’t Gasoline Burn Prevention Act. Now, clean air and children not being burned by gasoline seem like good things, but the these new rules have inflicted us with a plague of vile gas cans outfitted with maddening, useless spouts. Why? (more…)
Brian Setzer’s Rockabilly Riot! Live From the Planet – Review
This album is a collection of recordings from the recent (2011-2012) Rockabilly Riot tour. If you’re not up to date on Brian’s touring habits, he sometimes tours with the big brass band, and sometimes tours with a smaller rockabilly band. This time, he toured the smaller band comprised of two drummers and two standup bassists. Hell, I’m not going to explain all that when I can just quote the details from the official BrianSetzer.com website, so here is that quote which also explains the Live from the Planet title: (more…)
Visconti Traveling Ink Pot Review
How to Capture Brian Setzer’s Tone
Answer: Decades of experience, a virtuoso’s mastery of the guitar, complete knowledge of every scale, mode, chord, and inversion, in-depth understanding of multiple styles, and the ability to mix it all together with ease. As they like to say on Internet forums, “tone is in the fingers.”
That and, “Why would you want to sound like someone else?” are the two standard answers to, “How do I get <insert famous guitarist’s name here> tone?” I hate those answers, and I’ll bet you do too. So I’m going to show you the steps I took on my quest to nail Brian Setzer’s tone. Not only that, I’ll show you two different ways to do it: mostly analog, using a real Fender Bassman, and mostly digital using a Fractal Audio Axe-FX Ultra.
This is a long article—much longer than my usual fare. There are many details to be explored, but if you’re interested in the topic, I think this will be a fun read. Please remember that what I’m recreating here is Brian Setzer’s live tone. In the studio, Brian uses a variety of guitars, amps, and effects. On stage though, his rig is usually the same. Remember too, that Mr. Setzer is an extremely accomplished guitarist who changes techniques on the fly. If you’re 90% there and you can’t figure out what’s missing, try to catch a video of him playing the song in question. He may have gone from flatpicking to finger picking in the middle of the song, and that can really change his tone. PIcking dynamics are important too, but now I’m getting too far down the, “Tone is in the fingers” side of things, so let’s talk gear.
Why Idiots Shouldn’t Own Snow Blowers
For the squeamish amongst you, fear not. I did not sever any digits nor did I wound any appendages. No animals, human or otherwise, were harmed during the making of this story. No, the only thing harmed in this tale was my pride, and the control rod of my 15-year-old snow plow. (more…)