The AA-230 Zoom seems to be an odd solution on the surface. The AA-170 covers almost the same range and unless you really need to cover 1.23cm band, why not spend just a little bit more for the fabulous AA-600? Sure the AA-230 Zoom has a great screen and some sort of “zoom” functionality, but the AA-170 is less than half the price, so why not get that one instead? I asked myself those same questions and did some digging. Let’s see what led me to purchasing the AA-230 Zoom over those other choices by comparing the key specs that influenced my decision. (more…)
Category: Reviews
One Man’s Quest for Gas Cans that Don’t Suck
From what I can tell, this is pretty much an American problem. As of January of 2009, all new portable fuel containers in the US must meet new Mobile Source Air Toxic regulations based on the California Air Resources Board’s (CARB) regulations, and they must meet the requirements of the Children’t Gasoline Burn Prevention Act. Now, clean air and children not being burned by gasoline seem like good things, but the these new rules have inflicted us with a plague of vile gas cans outfitted with maddening, useless spouts. Why? (more…)
Brian Setzer’s Rockabilly Riot! Live From the Planet – Review
This album is a collection of recordings from the recent (2011-2012) Rockabilly Riot tour. If you’re not up to date on Brian’s touring habits, he sometimes tours with the big brass band, and sometimes tours with a smaller rockabilly band. This time, he toured the smaller band comprised of two drummers and two standup bassists. Hell, I’m not going to explain all that when I can just quote the details from the official BrianSetzer.com website, so here is that quote which also explains the Live from the Planet title: (more…)
Visconti Traveling Ink Pot Review
How to Capture Brian Setzer’s Tone
Answer: Decades of experience, a virtuoso’s mastery of the guitar, complete knowledge of every scale, mode, chord, and inversion, in-depth understanding of multiple styles, and the ability to mix it all together with ease. As they like to say on Internet forums, “tone is in the fingers.”
That and, “Why would you want to sound like someone else?” are the two standard answers to, “How do I get <insert famous guitarist’s name here> tone?” I hate those answers, and I’ll bet you do too. So I’m going to show you the steps I took on my quest to nail Brian Setzer’s tone. Not only that, I’ll show you two different ways to do it: mostly analog, using a real Fender Bassman, and mostly digital using a Fractal Audio Axe-FX Ultra.
This is a long article—much longer than my usual fare. There are many details to be explored, but if you’re interested in the topic, I think this will be a fun read. Please remember that what I’m recreating here is Brian Setzer’s live tone. In the studio, Brian uses a variety of guitars, amps, and effects. On stage though, his rig is usually the same. Remember too, that Mr. Setzer is an extremely accomplished guitarist who changes techniques on the fly. If you’re 90% there and you can’t figure out what’s missing, try to catch a video of him playing the song in question. He may have gone from flatpicking to finger picking in the middle of the song, and that can really change his tone. PIcking dynamics are important too, but now I’m getting too far down the, “Tone is in the fingers” side of things, so let’s talk gear.
My Fragile Dead Kindle
ChessMate.com’s The Thinket
Panasonic Lumix GF1 Review
Vox VT30 Valvetronix Amp Review
Roland Micro Cube Review
The amp is built like a tank. I’ve not tried this, but I would be willing to be that I could toss it down a flight of stairs and it would still work. Considering that this is the type of amp that you might literally throw into the back seat of a car, being able to withstand some abuse is a pretty good feature. Since it’s less than 10 inches on it’s longest side, and weighs just over seven pounds, there’s a good chance it could be taken along on many trips.